Dancer development between Haunted House and Lebendige Landschaft

Recently I have been thinking a lot about how I have been working with the ladies who are dancing the piece. It’s getting into psychology here and the more I think about it, the more I should really just ask them how they feel!

The ladies are doing amazing! To think of what we have achieved and how far we have come makes me really proud.

A year ago we had our first project together “Haunted House”. It was different in that it was in an outdoor setting and there were seven short dance numbers - two main group pieces mix with solos and duets. Everyone had a few moments each, yet there was ample break between each one to take a breath and focus.

This time is different. They are all present in the room from beginning to end. There are moments to breathe and relax, yet the whole hour they need to be present with many group numbers and a continual line between each part. If they are not dancing, they are helping out by being part of the scenery in fixed poses, lying down sitting or seeing to tasks that are physically visible. It’s not to underestimate how much effort and concentration this takes! All that is all aside from the varying dance numbers they are performing with the differences in expression quality and feel.

On top of this challenge, there is no front or back to the choreography - a typical fourth wall which even for professionals can disorientate. There is also the challenge of filling out a large room.

I have always loved large spaces. Coming from Australia where distances are larger and personal space is too, the feeling of spreading through a room and moving in space is one of my loves of dance. Stretching a movement to its limit, trying to go from one side of the room to the other in a few steps, pushing the boundaries of what’s possible has always been a passion. The Naumann-Saal is 24m by 12m and our dance space is 18m by 8m. In coming from a rehearsal space where the width is only half the size, it means larger steps, stretching out more, moving through the room and realising that there is space.

As I say, it is amazing how well it has all come together and how they have all developed through the experience!

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Stage managing tanzmainz Soul Chain tour to Brugge

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Lighting the Naumann Saal